There’s no wrong film. The viewfinder shows you each one live, before you shoot, so you pick with your eyes. A few do fit certain moments better, though.
Switching films
Tap the arrows on the film selector to step through them one at a time. Tap the name to see all 24 on one screen and jump straight to one. Whatever you land on is what you get.
Five to try first
- Type-1
- Warm, fine grain. The default, and where most shots end up.
- Afterglow
- Cool blue light and deeper shadows. The ten minutes after sunset.
- Noir
- Black and white with real blacks. For when color’s the wrong call.
- Chroma
- Big blues, punchy contrast. Trip photos. Rooftop skies.
- Solace
- Amber highlights, gentle shadows. The last ten minutes of light.
The full roll
- D·01Type-1
- D·02Bleach
- D·03Repose
- D·04Daydream
- D·05Jubilee
- D·06Wander
- D·07Harvest
- D·08Solace
- D·09Chroma
- D·10Afterglow
- D·11Daylight
- D·12Archive
- D·13Reportage
- D·14Hearth
- D·15Noir
- D·16True Tone
- D·17Blush
- D·18Solitude
- D·19Softlight
- D·20Portrait
- D·21Cinema
- D·22Hush
- D·23Reverie
- D·24Nightfall
Close, but not quite?
Every film has four sliders behind it. Warmer, flatter, grainier, whatever it needs. Tune it and save a recipe.
